HUMANS ARE RIDICULOUS

I have prints for sale over here on my Big Cartel page including the popular Humans are Ridiculous, Angels in #Bristol and If You Can’t be Kind… Log Off.

All are £25 + shipping.

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The Other Art Fair

Thanks to everyone who stopped by to talk about my work during The Other Art Fair and especially to those who purchased an original collage  or a HashtagPoetry# print.

I will have more HashtagPoetry# prints available very soon in particular the popular Humans are Ridiculous and Angels in Bristol (pictured).

Sign up to my mailing list here for updates on that: SIGN-UP-HERE

Clive

The Other Art Fair Bristol 1-3 September 2017

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I am exhibiting some new & recent poetry/art collisions at the up coming The Other Art Fair in Bristol – if you are around and a wander around an art fair sounds like something that might work I have an allocation of complimentary tickets available. All you need to do is go here:

and use the code:
 
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O Neg Alphabet

A hashtagpoetry# sequence in response to URSPRUNGSALPHABET (Alphabet of Origin) by Nora Gomringer assisted by online translation engines and Twitter searches. All the images were created using apps on an iPhone 5S to redact and paint over screen shots of the iOS Twitter app generated via Twitter searches using terms generated by online translations of lines from Nora’s poem or occasionally the original German. The sequence was created and posted on Instagram and Twitter over 26 days from 1-26 May 2016.

HashtagPoetry# – the GIFs

I am in the process of wrapping this project up. In practical terms it came to an end on National Poetry Day back in October but I am working on drawing all the various pieces of the project together in order to archive them. Since this website is now my public archive (my aim is to make my published and unpublished back catalogue available in one place), here are the GIFs:

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National Poetry Day Screening on Big Screen Bristol

This is the short slideshow-film that will be playing on the Big Screen in Bristol’s Millennium Square for National Poetry Day today October 6th. I am told it will remain in the schedule for the rest of October as well. But as I understand that not everyone lives in Bristol – it is also showing EVERYWHERE else courtesy of Vimeo.

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To accompany the screening I spent yesterday afternoon installing a number of window sticker prints of some of the pieces from the film around Millennium Square. This was an experiment in how to take the digital out into the real world where people might stumble across them inspired by a conversation with Paula Varjack about taking art out of formal art environments. I said for a while that I am exploring the places where digital and analogue collide and have been inspired by the willingness of the @Bristol Big Screen Bristol team to humour my ideas at what in the end was crazy short notice.

I also installed a few in the windows of Boston Tea Party in Clifton, Bristol. The manager Thom and his colleague Laura likewise willing to support a bit of kooky art-poetry collision.

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A HashtagPoetry# Sequence on YouTube

A hashtagpoetry# sequence in response to URSPRUNGSALPHABET (Alphabet of Origin) by Nora Gomringer assisted by online translation engines and Twitter searches. All the images were created using apps on an iPhone 5S to redact and paint over screen shots of the iOS Twitter app generated via Twitter searches using terms generated by online translations of lines from Nora’s poem or occasionally the original German. The sequence was created and posted on Instagram and Twitter over 26 days from 1-26 May 2016.

This is the original poem by Nora that inspired the work:

 

 

On Saboteurs, innovation and publishing

Later this month it will be four years since Burning Eye Books published its first title, Slinky Espadrilles by Ash Dickinson. Earlier this month it was announced that Burning Eye had been nominated by enough people to make the shortlist for Most Innovative Publisher in Sabotage Review’s Saboteur Awards. This was the fourth time Burning Eye has been shortlisted for this award. We didn’t win in 2013, 14 or 15. I don’t think we will win this time either. That’s cool we are kinda small and kinda fringe. As I am fond of saying, just getting nominated is not bad going for a press run part-time from a spare bedroom near Bristol. But as usual it has made me ponder the innovation question. What exactly is it that we  do that makes people think us worth nominating? On the face of it,  you see, we all (the shortlisted publishers) publish physical books. Either fairly standard trade paperback format or fairly ordinary (in terms of the physical specification of manufacture) hardbacks. Some aspects of  how we try to work in a collaborative manner with our writers might from some quarters be seen as innovative, but we are not alone in this and unless you have worked with us as a writer you would not necessarily know the specifics of that, so the number of potential nominators would be pretty small. There are some under the hood kinks in the Burning Eye business model that might arguably be considered innovative from some angles, but these are known only to a handful of people. So what is it?

My perception is that Burning Eye gets nominated for publishing what we might call standupslamperformancespokenword poetry. In which case the nomination is perhaps best understood as a vote of appreciation for the curation of the catalogue of writers. But is it innovative? Maybe I am wrestling with that I-word too much. Looking for atom splitting invention when innovation in the 21st Century is more about small incremental change rather than revolution. Maybe it is my outsider/imposter syndrome kicking in. What Burning Eye? Really? Innovative? Are you sure? We just publish poetry we like and work with people we like working with, is that innovative? Maybe I just need to shut up and do some work. After all it is the 11th of May as I write and we have only put 10 books out so far this year (combined Burning Eye and BX3)  and we are not even half way yet!